Straylings – Call Back Your Name

A fine dose of classic-leaning songwriting...

Straylings have built a steady reputation blending folk, blues and psychedelic rock in a unique sound that harkens back to the 60s and 70s, giving it a fresh coat of paint. The band consists of Bahrainian vocalist Dana Zeera and guitarist Oliver Drake previously of The Veils. The group returns with their third LP ‘Call Back Your Name’, which again blends styles to thrilling results in a compelling 45 minute record that makes the most out of both members. 

‘Silent Moon’ begins softly with keyboards and guitars before Drake unfurls a bluesy riff and Zeera’s ethereal vocals come in. The marriage of vocals and guitars, as throughout the record is a perfect partnership, giving room for both members to standout. We slow down to give Zeera’s vocals their due before Drake lets loose in the second half. It is an imperious way to kick off the album, a real statement of intent. 

‘American Kid’ continues in this vein sounding not dissimilar vocally to First Aid Kit but with a psychedelic sheen to it; slightly poppier again Zeera’s vocals help this stand out.

Of course with a sound that is heavily influenced by acts of the past, there is the risk of sounding overly deferential but one of the most exciting elements of Straylings sound is how the pair are able to weave their inspirations into something invigorating. There is a grandness to their sound that feels like there are many more members. 

The title track begins more acoustically, stripped back compared to some of the other tracks. It suits both members, showing a different side more folk oriented. Drake’s guitar work in the second half is mesmeric, allowing him to show his range as a guitarist. It is a highlight in an album full of stellar moments, allowing a sense of calm amidst some of the bolder strokes. 

‘Sorrow For Good’ marries this wonderfully with some luscious acoustic playing that allows Zeera’s vocals a chance to really shine. There is a beautiful intimacy to it that works well in contrast to some of the more psychedelic moments. 

‘Violet Covered Hills’ feels more Indie in sound, again allowing both to show off the breadth of their sound. There is an almost anthemic quality to it and it is easy to picture it being a live favourite, encapsulating all that makes Straylings so unique. 

‘Call Back Your Name’ really spotlights the talents of both Straylings’ members with a sound that marries several disparate genres harmoniously. There is rarely a dull moment across the 11 tracks. It is a shame perhaps that Straylings haven’t had a wider audience until now but perhaps this record will help change that and cement them as an act for many to watch in future. 

8/10 

Words: Christopher Connor

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