A daring return that dwells on the low end...

Has the UK dance music scene become too safe? Without question, if the new album by Filter Dread (born Leo Johnson-Davies) is anything to go by.

Starting from the title 'Trickster' and the striking cover artwork that depicts a cluster of CCTV-cameras mounted on a lighting truss, the mischievous spirit of a bygone era cut short by the Criminal Justice and Public Order Act 1994 that clamped down on unlicensed gigs is still fresh in his memory.

Johnson-Davies is not alone in this sentiment. Last year’s banging throwback album ‘SNKR024’ that came out on Sneaker Social Club proved he has plenty of company at the ravey end of the spectrum; Special Request’s soulful hardcore, Skee Mask’s abstract breaks, TNC6’s avant-jungle, all of them defined by the thrilling stylistic shift that took place at the turn of the 1990s.

With his fifth album Johnson-Davies solidifies his position as a serious creative force and revives the raw, primal energy of the underground with fervour not heard since the stellar 2013 mixtape ‘Space Loops’.

Almost without exception, every highlight of ‘Trickster’ shows his modus operandi in action, a steady build-up of tension without the release, which may not look much on paper. What makes the difference is how he achieves it - rhythmic synth pads and a lean, mean drum machine wrapped around the backbone of devastating basslines.

The cavernous stabs now associated with early Metalheadz underpin the formidable ‘Frosty’, a shotgun blast and a single half-time Syndrum-snare rip through ‘Galactic’, monosyllabic vocal loops sputter behind 'The Pure Essence' EP-style rumbling Reese in the sinister album closer; that is what gives the mix its anarchic edge and guarantees lovers of the low end are in for a real treat.

Which is why it is a real shame to stop trimming the fat and let the mid-section of the album become so cluttered it hasn’t got enough room to breathe. ‘Plug It Up’ is solid enough track without any difficulty to rest on a simple hook, drone, and hi-hats if it wasn’t for the overload of bleeps, bubbles, zaps, and drum fills. As is aptly titled ‘Stack Up’, until it is drowned out by a deafening amount of kicks per bar that leave you as knackered as doing the Running Man for five minutes non-stop in a homemade Altern-8 boiler suit and face mask.

Released against a backdrop of global turmoil coinciding with quarantine raves that are multiplying by the minute across the country, ‘Trickster’ underscores the demand for risk-taking and an element of danger, which remain as culturally relevant as they were thirty years ago. Just like then, erring on the side of caution may not always be the way forward. Not in the music, at least.


Words: Eero Holi

- - -

- - -

Join us on the ad-free creative social network Vero, as we get under the skin of global cultural happenings. Follow Clash Magazine as we skip merrily between clubs, concerts, interviews and photo shoots. Get backstage sneak peeks, exclusive content and access to Clash Live events and a true view into our world as the fun and games unfold.



Join us on VERO

Join the Clash mailing list for up to the minute music, fashion and film news.

Follow Clash: