View a photo gallery of Peter Hook’s The Light performing Joy Division’s classic album, ‘Unknown Pleasures’.
The former Joy Division/New Order bassist performed the album in full to commemorate the 30th anniversary of Joy Division singer’s suicide.
Clash’s man on the ground James Masters reported:
In a dedicated and emotive occasion, Joy Division and New Order bass player Peter Hook took to the stage at The Factory, Manchester last night in an effort to commemorate the life of Ian Kevin Curtis, the lead singer of Joy Division.
In conjunction with a free exhibition, curated by Peter Hook and Chris Hewitt, which showcased Joy Division memorabilia and artefacts, and with the support of charities, Mind and The Keith Bennett Appeal, The Light took to the stage with the promise of playing ‘Unknown Pleasures’ but ultimately delivered more than expected.
On the thirtieth anniversary of Ian’s death, The Light delivered a taut, tightly wrought set which brought many Joy Division aficionados out. With son Jack, guitarist Nat, Andy on keys and drummer Leadfoot in tow, along with the ever sublimely gorgeous Rowetta, delivering killer vocals on ‘Insight’ and ‘New Dawn Fades’, a respectful but exhilarating set hopefully made sense of the night that awaited.
With an interlude prior to ‘Unknown Pleasures’ which saw The Light kick off with ‘At A Later Date’, take in ‘Warsaw’, ‘No Love Lost’, ‘Leaders Of Men’, ‘Digital’ and ‘Glass’, airing these Joy Division lesser known classics, saw an already appreciative crowd primed for the main action.
Moving on into a sequential run through of the ‘Unknown Pleasures’ album, all members of the band came to the fore, as ‘Day Of The Lords’ and ‘She’s Lost Control’ saw crowd highlights and euphoric reactions. Rowetta in the house for two tracks was typically off the hook, her stunning vocals providing a useful female counterpoint to the evening’s proceedings.
Not that the day was without its worries or anguish, yet in revisiting Joy Division’s back catalogue with such relish and musical dexterity, The Light, in a way that remained matter of fact, proved themselves capable of many a challenge. Hooky himself appeared to enjoy the gig, crowd reaction and general bonhomie, as he swigged from bottles of water, chatted to the crowd and looked cooly satisfied that his decision to commemorate his bandmate was being warmly received.
Simon Topping turned up for the encore of ‘Transmission’ and the eulogy to Ian that ‘Love Will Tear Us Apart’ has become closed off the gig with the evening proving elating, lively and apposite. Observing the passing of Ian Kevin Curtis in an appropriate manner, and bringing the vitality that characterised early Factory to a younger audience who would never have had the chance to see or appreciate it firsthand, proved a suitable tribute.
Photos by Steven Baker and John Suredevan