Singles Round Up - 11th June

With Mary Epworth, Chew Lips, Nathan Fake
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Heralded as of our Ones To Watch in the current issue of Clash, Mary Epworth tops the pile of this week's single releases with her 'Long Gone', a digital download ahead of next week's album release (which we gave 9/10 to... it's fair to say we like her).

Also given airtime this week were new releases from Chew Lips, Tom Williams & The Boat, Baddies and Nathan Fake.

Mary Epworth - Long Gone



Out as a digital download ahead of next week's album release, 'Long Gone' is a gorgeous introduction to Mary Epworth (yes, she's the sister of producer Paul). For me, on a superficial level, it's the kind of blissed-out classic 'pop' that Lana Del Rey so painfully strives to be perceived as. Mary, does it effortlessly. Intrigued? (you should be) read an interview with Mary HERE.

Chew Lips- Do You Chew?



Now I know the name but my path (ears) has never really crossed (listened) with Chew Lips' music before. Did they sound like this before? Then why haven't I heard their cred-dance-pop playing out of every shop, coffee bar and hipster hang-out before? Very nice.

Tom Williams & The Boat - Too Young



Ah, Tom and his imaginary boat. The fella who made that video for A-Ha has been brought out of retirement for a scribbly effort for 'Too Young', a pleasant enough song that lacks previous single 'Teenage Blood''s immediacy but reminds me that I should get their album on the stereo.

Baddies - Rewire



It's funny, as Baddies return I somehow expected them to have new 'outfits' to replace their grey-shirt-buttoned-right-up uniform. Maybe a different coloured shirt or just a button left undone? Something to consider there lads. Sonically (which is what's it's really all about after all) they have progressed, doing a bit less of that Futureheads jerky thing, adding a smidge of heavy guitars while retaining their snappy way with a chorus.

Nathan Fake - Iceni Strings



It's a good minute plus before those (iceni) strings make themselves heard, adding a melancholy to the bontempi drums/analogue bubbling. From there things subtlety add to the tension (you'll find yourself in knots and realise why after a while) before a fake fade-out had me about to cry 'Lazy!' until a mini-reprise rounds things out nicely.

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