The Raveonettes

Clash Magazine fashion shoot
The Raveonettes

“In a way we’re sort of an awful live band,” starts Sharin Foo, the girl half of The Raveonettes. “I think the music sounds great but…”

“It’s probably boring to watch us play,” finishes off her bandmate Sune Rose Wanger - owner of not just the boy-shaped side of proceedings, but also of possibly the greatest name in modern music.

With their new ‘pop’ album ‘In And Out Of Control’, the Danish duo have been drastically rethinking their shtick, revamping their fuzzed-up trashy-chic sonics and their stage show. “We came to terms with [the fact] that we’re now officially entertainers,” explains Wagner. “We always thought that we were just artists.” Foo giggles.

Their fourth album sees them handing over the reigns to a producer for the first time, fellow Dane and Junior Senior knob twiddler Thomas Troelson. “We wanted someone to be really different from us, which he is,” says Foo. Their last album, ‘Lust Lust Lust’, might have been, in Foo’s words “very dark and introvert”, but they’ve perked up thanks to Troelson, to whom ‘upbeat’ is far from a dirty word. So, that explains the ‘Out Of Control’ bit of the record title - how about the ‘In Control’ part? Well, that’s simple. After eight years in the industry, The Raveonettes are clearer than they’ve ever been about what they want and what they need. “We were a little burned out at one point just from touring too much and partying too much and now we’re in a good healthy place, we’re very focused on the music,” admits Foo. So, there’s no partying any more? “There’s still parties, but for me, not so much, I have a little daughter. She’s eleven months old.”

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The Raveonettes - 'Last Dance'



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Partying is also made harder by the fact that The Raveonettes are a bicoastal band. Sharin lives in Los Angeles, while Sune is in New York City. How does that work? “It doesn’t,” laughs Wagner. “We meet each other like this,” he says putting his hands up, “it’s crazy!” Foo is LA based for reasons of romance, and it seems Wanger is having a love affair too, not with a person, but a city. “When I lived in Copenhagen I was extremely restless, I would go out every night and I just couldn’t find peace because I was afraid that I was gonna miss something.” Then, when he moved to his beloved NYC that restless feeling vanished. “All of a sudden I had the feeling that I wasn’t going to miss out on anything because if I didn’t go out tonight it would be the same, or twice as much tomorrow or the day after.”

You’ll never find The Raveonettes living in Las Vegas though, where they recently played a one-off show. One day there, confesses Wagner, is more than enough, recalling the time he spent two weeks in the city, not leaving his hotel once. “That was good inspiration for some evil songs. I really thought I had found Hell on Earth.”

Sonically - if not lyrically - that evil has abated on the new album. Gone are the lurid pulp fiction and monochrome film noir influences. “This is not a cinematic album for us,” laughs Wagner. So, what was the inspiration? “Real life. A lot of stuff that we experience in our personal lives, and, unfortunately, I guess it’s like that when you, er... I don’t like the term ‘get older’, so I’ll say when you ‘progress in life’, you experience more and more tragic things. Life is painful, misery… I guess we have to one day maybe sit down and write a really happy pop song. One day we’ll do it, why not?” Remember to give us a call when you do guys - we’d love to hear it.

Words by Leonie Cooper

Photography by Chris Cowan
Digital operator: Nico Mitronen
Styling by Lily Lam
Stylist’s assistants: Hugo Edwards and Laura Yiannakou
Make-up by Dorita Nissen using Mac Cosmetics
Hair by Naoki Komiya using TIGI
Hair stylist’s assistant: Takanori Yamaguchi
Nails by Chisato Yamamoto using Mary Ann Newman

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